Kufam Arabic first grabbed my attention through its varied horizontal rhythm. While many contemporary interpretations of so-called Kufic tend to present prevailingly narrow letters, Kufam pleasan...
A quality stencil font is nothing new from Thomas Thiemich. As I pointed out last year, his Remo is the first typeface I know to have a stencil released before its regular versions, and it’s a ...
https://typographica.org/typeface-reviews/fakt-slab-stencil/
The first the public saw of Remo was Remo Stencil, Thomas Thiemich’s contribution to the smart and well-crafted series of stencil faces released by OurType in 2012. Remo’s release in 2013 is ...
Sometime, somewhere, during the last decades of the nineteenth century, the type designer slowly mutated into a ghost hunter. Faces of the past became sources of inspiration, some quite obvious, ...
https://typographica.org/typeface-reviews/bery-roman-script-tuscan/
Some typefaces are so nice, you don’t know what to say. They are neatly drawn, have plenty of neatly interpolated weights, are awesomely legible in small sizes while (ha) interesting in large �...
Fred Smeijers’ Puncho pushes the boundaries of how far one might slice and dice a roman while preserving legibility. It sits confidently ensconced, insouciantly balanced on the fence demarcati...