I can’t believe I’ve gone this long without discussing at length the Old School Kung Fu Fest, one of the side projects by the founders of Subway Cinema and the New York Asian Film Festival. G...
The Fable: The Killer Who Doesn’t Kill is a sequel to, as you may have guessed, 2019′s The Fable, which was part of NYAFF 2019. A film that I tried to watch but couldn’t get past the first ...
You can’t have a summer blockbuster season, even in the midst of COVID (yes, I am going to mention the pandemic in basically every single review, you’re all just going to have to deal with it...
Each and every year the NYAFF strives to offer a diverse assortment of motions pictures that truly represents the massive content of Asia. Long gone are the days in which only the big three, aka ...
Once again… for the 20th year in a row actually… Asian movies ARE GO! … Much last year, you can watch from the comfort (as well as safety) of your own home, though the organizers this year ...
NOTE: The following was originally intended for publication two weeks ago. Back when this blog was updated regularly, January 6th was the date chosen for looking back at the year that was, given ...
JAPAN CUTS 2020 is officially on! And the opening film this year may be the one that many have been legit waiting for their clocks to say 07/17/20 12:00:00 AM, and with good reason: it’s the fo...
In my previous review, I heaped a considerable amount of praise upon a movie starring a robot and a tanuki who spend the entire runtime of an hour and twenty-four minutes just talking about stuff...
As previously noted, JAPAN CUTS 2020‘s virtual screenings may be your one and only chance to see certain films, and at the absolute top of that list is Kinta and Ginji. It’s also one of those...
Yesterday I covered a mockumentary that featured a cameo by Nobuhiko Obayashi, so today’s review is for an actual documentary in which the man best known for Hausu… though his legacy comprise...