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“Espresso”
Read Jeremy D. Larson’s review of the track.
https://pitchfork.com/reviews/tracks/sabrina-carpenter-espresso
Porter Robinson: “Knock Yourself Out XD”
Even the song title can’t keep a straight face as synth-pop producer Porter Robinson sends up celebrity-worship culture from the inside.
https://pitchfork.com/reviews/tracks/porter-robinson-knock-yourself-out-xd
J. Cole: “7 Minute Drill”
Who the fuck wants to hear an extremely measured and level-headed assessment of Kendrick’s albums in a diss track?
Camila Cabello: “I Luv It”
Read Alphonse Pierre’s review.
https://pitchfork.com/reviews/tracks/camila-cabello-playboi-carti-i-luv-it
Future, Metro Boomin & Kendrick Lamar: “Like That”
Read Dylan Green’s review of the track.
https://pitchfork.com/reviews/tracks/future-metro-boomin-like-that-kendrick-lamar
Two Shell & FKA twigs: “Talk to Me”
Read Shaad D’Souza’s review.
https://pitchfork.com/reviews/tracks/fka-twigs-two-shell-talk-to-me
4Batz & Drake: “Act II: Date @ 8 (Remix)”
The song went viral on TikTok earlier this year, which of course is the bat signal for an OVO co-sign.
https://pitchfork.com/reviews/tracks/4batz-act-ii-date-8-remix-ft-drake
“Von Dutch”
The first single from Brat has its heart in the club and its ass on a Harley.
“Bite Down”
The title track from the North Carolina-based singer-songwriter’s new album moves according to its own trancelike logic.
Vampire Weekend: “Gen-X Cops”
The band returns and stares into the void on one of the curious lead singles from the upcoming album Only God Was Above Us.
https://pitchfork.com/reviews/tracks/vampire-weekend-gen-x-cops
Jessica Pratt: “Life Is”
The lead single from Pratt’s new album, Here in the Pitch, takes the time-obsessed spirit of her music, adds a drummer and a bassist, and welcomes a new era.
Beyoncé: “Texas Hold ’Em”
The pop star goes pop-country on the lead single from her forthcoming sequel to Renaissance titled Act II.
“Deeper Well”
On her new lead single, the country singer-songwriter is quitting weed and quoting Emmylou Harris.
https://pitchfork.com/reviews/tracks/kacey-musgraves-deeper-well
“Floating on a Moment”
On the first single from a long-gestating solo debut, the iconic Portishead singer sounds remarkably little changed.
https://pitchfork.com/reviews/tracks/beth-gibbons-floating-on-a-moment
“J Christ”
The rapper’s blustery new single fails to deliver on a provocative premise.
Jeymes Samuel, D’Angelo & Jay-Z, : “I Want You Forever”
D’Angelo offers a loving mantra on a rare appearance taken from the soundtrack to Jeymes Samuel’s The Book of Clarence.
https://pitchfork.com/reviews/tracks/dangelo-jay-z-i-want-you-forever
“yes, and?”
Pop’s Teflon princess is improvising her way out of a scandalous press cycle.
“Spinning”
The Los Angeles songwriter’s latest is heart-fluttering, free-associative chamber pop.
Waxahatchee: “Right Back to It”
MJ Lenderman guest stars on the lead single from Katie Crutchfield’s new album, Tigers Blood.
https://pitchfork.com/reviews/tracks/waxahatchee-right-back-to-it
Tokischa: “Daddy”
The dembow star’s new pop-urbano single with the St. Louis rapper is just a little underwhelming.
https://pitchfork.com/reviews/tracks/tokischa-daddy-ft-sexyy-red
Adrianne Lenker: “Ruined”
On her affecting new solo song, the Big Thief frontwoman keeps circling back to the same subject.
Beyoncé: “My House”
The closing credits song to the Renaissance world tour concert film is a triumphant stomper with a midpoint switch-up.
Björk & Rosalía: “Oral”
Rescued from the archives, the musician’s sweeping new song with Rosalía supports the legal fight against foreign commercial farming operations in Iceland.
Car Colors: “Old Death (12" Version)”
Returning with his first new music in 20 years, the Wrens’ Charles Bissell offers a poignant and fragmented glimpse into midlife ennui.
Phét Phét Phét’s “Shimmer”
The new single from the Mexico City group features swirling woodwinds, acoustic Brazilian accents, and spoken word from Mabe Fratti.
Dua Lipa: “Houdini”
Co-produced by Tame Impala’s Kevin Parker and Danny L Harle, the pop star’s new single delivers familiar satisfactions with a little more spark.
Julia Holter: “Sun Girl”
The Los Angeles artist’s first new music in five years smears the boundary between illusion and reality.
Megan Thee Stallion: “Cobra”
The rapper’s new single is a withering review of cheating lovers, opportunistic friends, and life at rock bottom.
https://pitchfork.com/reviews/tracks/megan-thee-stallion-cobra
Bbymutha: “Gun Kontrol”
The Chattanooga rapper’s new single is a menacing ode to living well.