Documentaries don’t make their way onto Diabolique very often, but Finders Keepers (2015) is an exception. Its premise is so outlandish, so ghoulishly compelling, that there was no way I could...
Jonas Alexander Arnby’s first feature, When Animals Dream (2014), is a self-proclaimed fable about a young woman discovering both her burgeoning sexuality and the inconvenient fact that she’s...
https://diaboliquemagazine.com/when-animals-dream-film-review/
Izzy Lee’s new short film Postpartum plays on all sorts of fears: fears women have of becoming mothers, and what can happen to them afterwards; fears our society has of what women can turn into...
https://diaboliquemagazine.com/with-postpartum-izzy-lee-displays-solid-formal-instincts/
If there’s one type of film that horror fans have probably seen enough of over the past decade or so, it’s the found-footage film. Bookended by The Blair Witch Project (1999) and Paranormal A...
Following up on his 2007 book “Horror 101,” editor Aaron Christensen (aka Dr. AC) has published his second anthology of horror-film-appreciation essays, “Hidden Horror: A Celebration of ...
Details Year: 1960 Length: 118 min Rating: NR Disks: 1 Region: B Label: Studio Canal Video Resolution: 1080p Aspect Ratio: 1.66:1 Video codec: MPEG-4 AVC Type: Color Audio Audio: French/En...
https://diaboliquemagazine.com/plein-soleil-purple-noon-1960-uk-blu-ray-review/
Details Year: 1981 Length: 124 min Rating: BBFC 18 Disks: 1 Region: B Label: Second Sight Films Video Resolution: 1080p Aspect Ratio: 1.66:1 Video codec: MPEG-4 AVC Type: Color Audio Audio...
https://diaboliquemagazine.com/possession-uk-blu-ray-review/
Boston filmmaker Izzy Lee’s first short, Legitimate, may only have a running time of five and a half minutes, but it certainly packs a punch in that time. Opening on the infamous quote from S...
Ben Wheatley’s new film Sightseers is a welcome return to form for him, after the promising but rather disjointed Kill List (2011). Sightseers is that rare bird: a comedy so dark that it teeter...
Welsh writer/director Caradog James’s second feature, The Machine, asks its audience a difficult question: in an age of artificial intelligence, what does being “human” really mean? While...
https://diaboliquemagazine.com/the-machine-film-review-tribeca-film-festival/