1. The Return of the Dead: Everybody is understandably enjoying the new Twin Peaks’ end credit sequences. In an utterly unexpected twist, David Lynch has decided to take us once a week to eithe...
It would require a doctoral thesis to concoct a coherent theory regarding the deep intellectual structure and symbolism of the new Twin Peaks, and I am sure that there are numerous academics alre...
Todd Solondz has been exploring his animal side. Granted, the films that first placed him at the forefront of independent American auteur cinema – Welcome to the Dollhouse (1995), Happiness (19...
When Hal Hartley arrived on the American filmmaking scene in the late 80s and early 90s, “indie film” wasn’t yet hardened into a niche or a brand. Possibilities seemed endless. Hartley’s ...