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Any relationship between human beings can always be reduced to a simple opposition: boss/employee, friend/enemy, teacher/pupil, actor/spectator, class/party, enlightened/ignorant, representative/...

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The art world is going through a period of intense fascination with collectives. This is often combined with an enthusiastic interest in pedagogy. Curators, critics and institutions champion coll...

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Me-ti said: “Every teacher should learn to stop teaching when the time is due.” B. Brecht Right from the outset, discussions around Bertolt Brecht's “learning plays” (Lehrstьcke) wer...

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During the long and still unfinished post-dictatorship in Chile, in which four governments from a social democratic coalition provide consistency and continuity to the knotting between modernizat...

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The emancipatory function of theater in the territory of ex-Yugoslavia has some specific traits. Since the falling apart of Yugoslavia, or better, of self-managing socialism, things have taken a ...

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First publication - Translit #5 (2009) Recently I understood clearly that art couldn’t help but be communist. This is not at all a manifestation of ideology, as it would seem to some. Nor is ...

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HTTP://WWW.SPUNK.ORG/TEXTS/ART/SP000338.HTML THE THEATER OF THE OPPRESSED IMAGE THEATER TECHNIQUES: RASHOMON INSPIRED BY FILMMAKER AKIRA KUROSAWA'S STUDY IN MULTIPLE PERSPECTIVES, RASHOMON IS ...

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Adorno// Commitment A Baraka// Slave Ship Baraka,James Hatch// Afro-American Revolutionary Theater Brecht// Sports,Epic,et al J Butler// Performative Acts H Cruse// Revolutionary Nationalism Dixo...

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