The spring season at New York City Ballet opened with an all-Balanchine program and a vintage miniature from 1975: “Errante,” staged for a new generation.
In “Searching for Goya,” at the Joyce Theater, the troupe uses the painter’s images as frames for flamenco dances.
https://www.nytimes.com/2024/04/24/arts/dance/review-noche-flamenca-soledad-barrio.html
Stanislav Olshanskyi has had to battle homesickness and adjust to Miami City Ballet’s style: quick, light, constantly in motion. He’s also the prince in “Swan Lake.”
https://www.nytimes.com/2024/04/24/arts/dance/olshanskyi-miami-ballet-ukraine.html
Under the banner “American Legacies,” the Martha Graham Dance Company dusted off a classic, “Rodeo,” premiered a companion piece and welcomed FKA twigs for a guest solo at City Center.
https://www.nytimes.com/2024/04/19/arts/dance/martha-graham-100-years-season.html
The vampire ballerina in the new movie “Abigail” has a long pop culture lineage. She and her sisters are obsessed, tormented and likely to cause harm.
https://www.nytimes.com/2024/04/22/arts/abigail-vampire-ballerina.html
Two dancers from the Russian company were set to perform at a benefit for a prestigious competition for young dancers, but they were sidelined after protests by pro-Ukrainian activists.
https://www.nytimes.com/2024/04/19/arts/dance/mariinsky-dancers-barred-youth-america-grand-prix.html
Living with a disability, I shielded myself from dance. Then I met him.
https://www.nytimes.com/2024/04/19/magazine/dance-love-disability.html
The Sydney Dance Company’s “ab ” at the Joyce Theater is impressive but chilly.
Once a young bunhead, the acclaimed musical artist is taking the stage with the Martha Graham Dance Company. For her, it’s holy grail territory.
https://www.nytimes.com/2024/04/16/arts/dance/fka-twigs-martha-graham.html
He brought worldwide attention to a radical yet elemental form of contemporary dance that emerged in the wake of wartime destruction.
https://www.nytimes.com/2024/04/15/arts/dance/ushio-amagatsu-dead.html
New York City Ballet will present a mix of old and new works, including premieres by Justin Peck, Alexei Ratmansky and Caili Quan, and introduce fewer intermissions.
https://www.nytimes.com/2024/04/15/arts/dance/new-york-city-ballet-2024-25-season.html
As Harlem Stage’s E-Moves dance series turns 25, Bill T. Jones and other major choreographers discuss its impact on Black dance in New York.
https://www.nytimes.com/2024/04/15/arts/dance/harlem-stage-e-move-bill-t-jones.html
The company performed its first New York City Center season under the direction of Robert Garland in a program including George Balanchine’s “Pas de Dix.”
In “Nail Biter,” a New York City premiere, this exacting choreographer explores her ballet roots and how to be in her body now.
https://www.nytimes.com/2024/04/10/arts/dance/beth-gill-nail-biter-skirball.html
The pandemic was tough on city centers and cultural institutions. What does that mean for Los Angeles, whose downtown depends on the arts?
https://www.nytimes.com/2024/04/09/arts/downtown-los-angeles-culture.html
The choreographer Dianne McIntyre presents “In the Same Tongue,” a dance she calls “an artistic history of myself,” at the new Apollo Stages at the Victoria Theater.
https://www.nytimes.com/2024/04/09/arts/dance/dianne-mcintyre-apollo-in-the-same-tongue.html
“We the People,” Roberts’s first dance for the Martha Graham Dance Company, finds the rage and resistance hidden in an upbeat score by Rhiannon Giddens.
Under the artistic leadership of Emily Molnar, Nederlands Dans Theater returned to New York City Center with a less than stellar triple bill.
https://www.nytimes.com/2024/04/04/arts/dance/review-nederlands-dans-theater.html
Ayodele Casel leads a program celebrating Roach’s centenary that also includes works by Rennie Harris as well as by Ronald K. Brown and Arcell Cabuag.
https://www.nytimes.com/2024/04/04/arts/dance/review-max-roach-ayodele-casel-joyce-theater.html
Benjamin Millepied and Nico Muhly’s evening of minimally accessorized dance and contemporary music feels right at home at the Philharmonie in Paris.
https://www.nytimes.com/2024/04/01/arts/dance/review-benjamin-millepied-nico-muhly-philharmonie.html