rebeccaartemisa : > 🤍DOWNHILL GIRLS🤍 > > I’ve been putting together a series of affordable, 4” (tiny > beechwood) paintings and fortune teller zines to support...
imogen-mangle : > In case you lost it - a link to the eSIM donation guide. Even if you > feel sick and powerless, you can at least do this. And even if you > real...
milksockets : > ‘a detail of the head of “green man,” by mick petts, reveals a > highly intricate woven structure’ in livingsculpture - paul cooper > (2001)
🤍DOWNHILL GIRLS🤍 I’ve been putting together a series of affordable, 4” (tiny beechwood) paintings and fortune teller zines to support my upcoming art residency! Please share my work o...
Wedding Bells Gouache and grass stains on beechwood
sioltach : > Ummmm sometimes you dread the weight of your life and other times it > is an early morning in april and there are 5 species of birds > singing and also...
Special Delivery Gouache, ink and grass stains on reclaimed beech wood
oldcomputerhardware : > (via Facebook > ) Forever a preferred method of listening.
the-prince-of-tides : > A horseshoe crab being a home to other sea creatures!
beautyonfilm : > 100 Days After Childhood (1975)
garadinervi : > Handmade piece embroidered by Palestinian refugee women > , > INAASH Association for the Development of Palestinian Camps, > Lebanon, 1970s > > Keep re...
forgottenflickr : > 2007
polkadotmotmot : > 이내 - 기억-이루어지는, 2023
sacredwhores : > Mai Masri - Frontiers of Dreams and Fears (2001)
bseder : > olive harvest in turmusaya, palestine (2021)
Opening a window/portal
angelsophe : > zegalba > : > > >>> KATJA KEMNITZ: Too Much Love (2016) > > to be loved is to be changed
vizreef : > Soviet era switches > > via