Who the fuck wants to hear an extremely measured and level-headed assessment of Kendrick’s albums in a diss track?
Read Alphonse Pierre’s review.
https://pitchfork.com/reviews/tracks/camila-cabello-playboi-carti-i-luv-it
Read Dylan Green’s review of the track.
https://pitchfork.com/reviews/tracks/future-metro-boomin-like-that-kendrick-lamar
Read Shaad D’Souza’s review.
https://pitchfork.com/reviews/tracks/fka-twigs-two-shell-talk-to-me
The song went viral on TikTok earlier this year, which of course is the bat signal for an OVO co-sign.
https://pitchfork.com/reviews/tracks/4batz-act-ii-date-8-remix-ft-drake
The first single from Brat has its heart in the club and its ass on a Harley.
The title track from the North Carolina-based singer-songwriter’s new album moves according to its own trancelike logic.
The band returns and stares into the void on one of the curious lead singles from the upcoming album Only God Was Above Us.
https://pitchfork.com/reviews/tracks/vampire-weekend-gen-x-cops
The lead single from Pratt’s new album, Here in the Pitch, takes the time-obsessed spirit of her music, adds a drummer and a bassist, and welcomes a new era.
The pop star goes pop-country on the lead single from her forthcoming sequel to Renaissance titled Act II.
On her new lead single, the country singer-songwriter is quitting weed and quoting Emmylou Harris.
https://pitchfork.com/reviews/tracks/kacey-musgraves-deeper-well
On the first single from a long-gestating solo debut, the iconic Portishead singer sounds remarkably little changed.
https://pitchfork.com/reviews/tracks/beth-gibbons-floating-on-a-moment
The rapper’s blustery new single fails to deliver on a provocative premise.
D’Angelo offers a loving mantra on a rare appearance taken from the soundtrack to Jeymes Samuel’s The Book of Clarence.
https://pitchfork.com/reviews/tracks/dangelo-jay-z-i-want-you-forever
Pop’s Teflon princess is improvising her way out of a scandalous press cycle.
The Los Angeles songwriter’s latest is heart-fluttering, free-associative chamber pop.
MJ Lenderman guest stars on the lead single from Katie Crutchfield’s new album, Tigers Blood.
https://pitchfork.com/reviews/tracks/waxahatchee-right-back-to-it
The dembow star’s new pop-urbano single with the St. Louis rapper is just a little underwhelming.
https://pitchfork.com/reviews/tracks/tokischa-daddy-ft-sexyy-red
On her affecting new solo song, the Big Thief frontwoman keeps circling back to the same subject.
The closing credits song to the Renaissance world tour concert film is a triumphant stomper with a midpoint switch-up.
Rescued from the archives, the musician’s sweeping new song with Rosalía supports the legal fight against foreign commercial farming operations in Iceland.
Returning with his first new music in 20 years, the Wrens’ Charles Bissell offers a poignant and fragmented glimpse into midlife ennui.
The new single from the Mexico City group features swirling woodwinds, acoustic Brazilian accents, and spoken word from Mabe Fratti.
Co-produced by Tame Impala’s Kevin Parker and Danny L Harle, the pop star’s new single delivers familiar satisfactions with a little more spark.
The Los Angeles artist’s first new music in five years smears the boundary between illusion and reality.
The rapper’s new single is a withering review of cheating lovers, opportunistic friends, and life at rock bottom.
https://pitchfork.com/reviews/tracks/megan-thee-stallion-cobra
The Chattanooga rapper’s new single is a menacing ode to living well.
On their jaunty, sardonic new single, the Leeds rockers struggle to convince themselves that everything is fine.
The Double Cup bonus track, which accompanies the album’s 10th anniversary reissue, is the Chicago footwork legend at his most pastoral and sublime.