I was initially struggling to put together a showreel for 2016. I don’t think my film work has ever been so reliant on its varied soundworlds for their full context and so pulling the stronge...
My walk around Harold Pinter’s old haunts in the east end of London has produced a number of written accounts now that, with the film that sparked of the whole venture being finally public, I�...
https://celluloidwickerman.com/2016/06/06/short-film-a-walk-by-waiting-harold-pinter-iain-sinclair/
Above is the trailer for a very short fragment of film made in collaboration with the writer, Iain Sinclair. Though I had been thinking about doing something with the poems of Harold Pinter for...
https://celluloidwickerman.com/2016/05/02/trailer-a-walk-by-waiting-pintersinclair/
The Menhir Motorway is the first film of 2016 and it should set the tone for the rest of the year’s projects. Having filmed in late December, a mere few days before Christmas in the freezing ...
https://celluloidwickerman.com/2016/04/04/short-film-the-menhir-motorway/
Above is the trailer for the first film project of 2016, The Menhir Motorway. The film has been slightly delayed due to missing virtually all possible deadlines in regards to getting the film d...
https://celluloidwickerman.com/2016/02/29/trailer-the-menhir-motorway/
Above is a showreel built from footage I’ve shot over the last twelve months. Compared to last year’s showreel, this one feels far more defined and less haphazard with the visual ideas I wa...
Salthouse Marshes began life in a strange way. Having chatted about adapting Algernon Blackwood’s The Willows with Robert Macfarlane (who had wanted to re-set it in England), there was always...
https://celluloidwickerman.com/2015/11/02/short-film-salthouse-marshes/
“It is for this reason that we find that co-existence, which could neither be in time alone, for time has no contiguity, nor in space alone, for space has no before, after, or now, is establish...
https://celluloidwickerman.com/2015/02/02/short-film-weirdstone-for-alan-garner/