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- Feed Preview Tina Poppy | Filmmaker Magazine
Biggest Challenge, Best Lesson: I Believe in Unicorns Director Leah Meyerhoff
Filmmaker Leah Meyerhoff is perhaps as well known for her film collective, Film Fatales, as for her first feature film, I Believe in Unicorns, which premiered at Sundance in 2014. Filmmaker did a...
“There are Medium and Little-Sized Movies about People, and There are Big Movies About Robots”: Helen Hunt on Ride
As an actress, Helen Hunt has thrived in the entertainment industry for over four decades. She’s won an Oscar, Golden Globe Awards and Primetime Emmys. She has succeeded on a large scale as bot...
“Everyone Wants to Think Their Child could be President”: Morgan Krantz on Babysitter
Writer/director Morgan Krantz’s first feature Babysitter was accepted into SXSW as a work in progress, so Krantz was working on it until the very week it premiered. “It was hot off the presse...
“We Live in an Attention Economy”: Eugene Kotlyarenko on A Wonderful Cloud
Within two minutes of talking to Eugene Kotlyarenko, separated in physical distance by about a mile, yet connected by phone via his marketing company’s office thousands of miles away in New Yor...
Biggest Challenge, Best Lesson: Five Nights in Maine Writer/Director Maris Curran
When I first speak to filmmaker Maris Curran on the phone, I’m sitting in the driver’s seat of my parked car about two months after breaking both my arms in a bicycle accident. The accident o...
Building the Message Machine: Takeaways from the Film Independent Film Forum
The Film Independent Forum held October 24 – 26 in Los Angeles focused heavily on beginnings and endings of the filmmaking process, largely leaving technical details and production needs aside....