nobrashfestivity : > MILTON GLASER, Big Nudes, 1968
nobrashfestivity : > ISAMU NOGUCHI Cloud Mountain
tenaciouschaosturtle-ad805251 : > Richard Serra, One Ton Prop (House of Cards), 1966-69.
nobrashfestivity : > OKAMOTO SHUKI > Japan, 1807 (?)-1862 > Pictures of Flowers and Birds > 19th century
nobrashfestivity : > BRIDGET RILEY, Orphean Elegy 1978
msgirlfangirlingposts : > Sometimes I wish just to live in this frame of Pride and Prejudice.
“I wish I could press snowflakes in a book like flowers.” — James Schuyler information • blog • goodreads • twitter • 8tracks • polyvore • ∞
milksockets : > the book as art: artists’ books from the national museum of women > in the arts - krystyna wasserman (2011)
architectureandfilmblog : > The Glass House, Philip Johnson, 1949 > > INSIDE THE ICONIC GLASS HOUSE (2023) > > > If you haven’t had an opportunity to explore th...
ur-daily-inspiration : > SOMEONE CAPTURED THE SOLAR ECLIPSE ON AN AIRPLANE
nobrashfestivity : > FUSETSU NAKAMURA, 1866-1943 > Cherry Blossoms at Kiyomizudo > From the series Six Views of Tokyo in the curved-line Aesthetic > organic and inorg...
milksockets : > valisère bra-slip, 1994 in hidden femininity: 20th century lingerie > - farid chenoune
nobrashfestivity : > BAKUFU OHNO, 1930s
julykings : >> from Tiny Beautiful Things, adapted for the stage by Nia >> Vardalos.
unconditionalstudio : >
“I wish I could press snowflakes in a book like flowers.” — James Schuyler information • blog • goodreads • twitter • 8tracks • polyvore • ∞
nobrashfestivity : > CESTMIR KAFKA > Radiance > 1973 > monoprint
vividplanet : > kate doyle >
nobrashfestivity : > KUSAKABE KIMBEI > View of Tokio Castle Wall, & Lotus Flower > ca. 1880 > albumen silver print