chtodelat.org » #4- 28: Make film politically

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01. OLD QUESTIONS All those who understand that aesthetics, politics, and economics form a vital nexus believe that art can reveal with particular force the most acute problems of social develo...

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It's all a matter of confronting the visual elements one way or another. It's all a matter of intervals. Dziga Vertov, "Kinoks: Revolution" The journal of the Left Front of the Arts, LEF, was w...

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If one approaches the ubiquitous Jean-Luc Godard from the "other side," the other of Peter Wollen's "Two Avant-gardes," it seems that the experiment is what made it possible (for Godard and other...

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In one of his essays , Jacques Rancière asks: what type of fiction is the genre of documentary film? His answer is that a documentary is not the opposite of a feature film only because it presen...

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I began to make films because of I was interested in forms that allow the presentation of artwork beyond the boundaries of art, a field I sometimes find restrictive. The majority of my films coul...

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Already in their own times, Russia's revolutionary artistic avant-gardes of the 1910s and 20s offered a highly desirable point of reference for artists outside of Russia. Be it for those who were...

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WHAT ARE THE CURRENT CHARACTERISTICS OF VERNACULAR VIDEO? ― Displayed recordings will continue to be shorter and shorter in duration, as television time, compressed by the demands of adverti...

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I vividly remember a strange broadcast a few years ago. On one of the first days of the US invasion of Iraq in 2003, a senior CNN correspondent was riding in an armored vehicle. Jubilantly, he st...

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